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    About

    “Art is the distance that time gives to suffering.”
    Albert Camus, notebooks 1955

    “I am a story-teller, and I have but a single story–man.”
    William Saroyan, 1933

    My work is essentially intuitive, gestural, vitalist action-painting, executed at the confluence of Fine Arts, alchemy and the rough, cool detachment of the industrial world.

    It is constructed in a state where contrasts meet and clash. On a technical level, my strong interests in architecture, my welding apprenticeship followed by years of aimless roaming through heavy industries, building sites, ports, shipyards and foundries, led me to recognize metal as the appropriate medium for what I want to express.

    Fascination with the distorted human body is primordial to my art, resounding the catastrophic events of Minamata with its indirect repercussions on Butoh, the mummies of the Capuchin Catacombs of Palermo, the five-thousand-year-old Iceman, and more recently, the apocalyptic appearance of Rick